The name Roger Alan
Wade even sounds country, doesn’t it? In the 1980s, Wade was a budding song
crafter for Johnny Cash, Waylon Jennings and George Jones. Hank Williams, Jr., took Wade’s song, “Country State of Mind,” to
#1 on the country charts in 1986. The Nashville music scene changed in the
1990s, however, and, coupled with some detrimental personal vices, left him with
a substance abuse problem and without a career. His cousin, Johnny Knoxville of Jackass fame, included some of Wade’s
music on his television series and movies, and encouraged Wade to embark on a
solo career. Wade’s first album, 2005’s All
Likkered Up, was a collection of wild, almost R-rated satirical songs with
a sense of humor. Since then, Wade recorded four more albums of serious
outlaw-style country music, included his most recent album, 2012’s
sobriety-inspired Southbound Train. Wade
does voice-over work for WUUQ 97.3 and 99.3 FM in Chattanooga, Tennessee, and
with his cousin Knoxville hosts an hour-long weekly show, Big Ass Happy Family Jubilee (named after a Wade song), on Sirius
XM's Outlaw Country channel.
Wade is a poet with an acoustic guitar, as he demonstrated
at the Mercury Lounge tonight,
opening for Mike Farris. Wade’s
simple music recalled the era of singer songwriters who wrote of the landscape and
the man-scape of the American heartland. “Chickamauga Creek” painted a tender portrait
of a Tennessee family. “The Reckless Kind” was similarly a study of human
nature. “The First Time I Saw Waylon” and “Johnny Cash Has Died” were not only
tributes to his country music heroes, but shined a light on human longing. This
was genuine outlaw country music, yet not from the perspective of a successful music
celebrity but from a struggling musician who is not sure if the great American promises
will be achieved.

I'm happy to see Manhattan is getting a chance to find out what we've known in Chattanooga, TN for 30 years. That is, Roger Alan Wade is a national treasure. For those that haven't heard him, download his last 2 albums, "Deguello Motel" and "Southbound Train", and you'll be treated to some of the finest songwriting imaginable. This is no Nashville "Hat Act" whose music has been overproduced by some soulless Music Row hack. It's just Roger and his acoustic guitar baring heart and soul with poetic lyrics that make you want to listen again and again.
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