Sasha Dobson grew
up in a family of jazz musicians in Santa Cruz, California. Her father, Smith Dobson, was a pianist, her mom was
a singer and her brother became a drummer. Sasha moved to Brooklyn at 17 and
quickly assimilated into the local jazz scene, mastering the art of vocal
improvisation and scat singing. Upon learning of her father's death in a car
accident in 2001, she picked up guitar and started writing songs and performing
in music clubs with her friend Norah Jones.
Jones hit the big time and invited Dobson to sing background vocals and play
guitar and percussion on her The Fall Tour. Dobson was also Jones' opening act.
They now perform and record together as Puss
N' Boots. Dobson second and most recent album is Aquarius.
Singer-songwriters in New York are as plentiful as traffic
lights. One has to shine very bright to stand out among the others. Dobson has
been able to do this. Tonight at the Bowery
Electric, Dobson often avoided standard singer-songwriter vocal phrasings
by injecting a jazz vocal styling. Experiences of love, loss, learning
and recovery seemed to ignite her personal journey and her passions, and her
jazzy inflections uniquely articulated these moments. This slurring, soulful singing
made her lyrics difficult to decipher at times, but it was at those times that
her songs seemed as if they were generated from a cathartic emotional release
than a clever use of vocabulary. Guitarist Joel
Hamilton then added brief jazz and guitar blasts to echo Dobson's vocal
performance. Meanwhile, her four-piece backup band rocked more intensely than singer-songwriter
bands usually do, making Dobson's performance that much more powerful. Dobson
appeared tonight to be outgrowing the folk club circuit in favor of the rock
circuit. Maybe it is there that her innovative approach will be discovered and appreciated.
Sasha Dobson performs at the Rockwood Music Hall Stage 2 tomorrow, January 14. Visit her
at www.sashadobson.com.

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