 |
Robert Fripp does not allow any photographs to be taken
during a King Crimson concert until the show ends
and he pulls out his camera. |
In 1967 in Dorset, England, guitarist
Robert Fripp first recorded with a psychedelic pop trio called
Giles, Giles and Fripp. Upon seeing
Clouds perform live, Fripp was inspired
to incorporate classical melodies and jazz improvisation in his compositions. Musicians
were added and others left, such that by 1968 the original band was no more and
had evolved into what would become
King
Crimson, the forerunner of the progressive rock movement. Seemingly with
each album, King Crimson's membership changed radically, quickly leaving Fripp
as the only consistent member. Fripp disbanded King Crimson in 1974, reformed a
new line-up in 1981 for three years, revamped it in 1994 for another three-year
cycle, revived it from 2000 to 2008, and most recently restored the brand in
2013. King Crimson presently consists of Fripp,
Jakko Jakszyk (lead vocals, guitar, flute, keyboards),
Mel Collins (saxophones, flute, bass
flute, mellotron, backing vocals),
Tony
Levin (bass, Chapman stick, synthesizers, backing vocals), and three
drummers,
Pat Mastelotto,
Jeremy Stacey, and
Gavin Harrison. King Crimson's 13th and most recent studio album is
2003's
The Power to Believe; since
that album, the band has released numerous live albums, with the band's 15th
live album,
Audio Diary 2014–2018,
scheduled for release on September 27, 2019.
At Radio City Music
Hall tonight, King Crimson reflected on 50 years of creative, mind-bending
music, and yet reproduced not one song as it was originally recorded. Rather
than remain a static treasury, the catalogue was given new breath. Frequently a
song began with some familiar strokes before the musicians began deconstructing
and refashioning them in a manner suitable to the strengths of the current
musicians. In an unusual move, three drummers held the front line, with the
remaining four musicians on platforms behind them. Throughout the set, the drum
syncopation was uncanny and mesmerizing, featuring beats upon beats. The back
line of saxophone, keyboards, guitar and bass propelled the music into
futuristic arrangements. There were several passages where the musicians'
expansive improvisation leaned towards directionless noodling, but before long,
another musician barged in and charged forward, igniting a new dynamic chaos.
Jakszyk’s swooning vocal melodies, much like those of his predecessors Greg Lake and John Wetton, then calmed the frenetic storm and grounded the
compositions. Being present to the music in the court of King Crimson was at
times dizzying, but consistently instilled a sense of awe.
Setlist:
Set 1:
- Hell Hounds of Krim
- Larks' Tongues in Aspic, Part One
- Suitable Grounds for the Blues
- Red
- Epitaph
- Cat Food
- EleKtriK
- Moonchild (with cadenzas)
- Larks' Tongues in Aspic (Part IV)
- Islands
Set 2:
- Drumzilla
- Easy Money
- Radical Action II
- Level Five
- The Court of the Crimson King (with coda)
- Starless
- Indiscipline
Encore:
- 21st Century Schizoid Man