Brian Fallon was 13
years old when he purchased the Clash’s
self-titled debut album. Little did he know that this introduction to punk rock
set a trajectory that would lead him to form the Gaslight Anthem in New Brunswick, New Jersey, in 2006. Fallon writes
soulful, impassioned, hearts-on-fire lyrics and fellow guitarist Alex Rosamilia, bassist Alex Levine and drummer Benny Horowitz on drums provide the
backing force. The band’s fourth and most recent album, Handwritten, was released in July 2012.
The Gaslight Anthem has matured past its punk rock roots, as
exhibited at the concert at Pier 26
tonight. The band launched full throttle and kept the muscular pace for most of
the evening. Fallon’s voice failed to reach higher notes several times, however,
a condition perhaps partly hindered by the rain during the first half of the
show. Though the band’s 80-minute set largely consisted of pounding, blasting
rock songs, it was when the pounding stopped several times and the band tried
other, gentler sounds that the band sounded most interesting. Otherwise, for
most of the set, Fallon’s singer/songwriter attempts were swallowed by a band
that raced and slammed its repertoire. In all, it felt almost as if you had to
be a fan before the concert to be a fan during the concert. To end with a bang,
the Gaslight Anthem ended its set with a final encore, a punch-packed cover of
the Who’s “Baba O’Riley.” The
Gaslight Anthem proved to be a fine live rock band, but the concert would have been
even better if it had slowed down more and given additional controlled ambience
to the more pensive lyrics.
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