In the spring of 2005 in Ramsey, New Jersey, two childhood
friends, vocalist/guitarist Wesley Schultz
and drummer Jeremiah Fraites began to write songs together.
They played the New York club circuit, mostly under the name Wesley Jeremiah, but disillusioned by
its difficulties, the two musicians packed everything they owned—a couple of suitcases
of clothes and a trailer full of musical instruments—and headed for Denver,
Colorado. In Denver, they placed a Craigslist ad for a cellist, attracted Neyla Pekarek in 2010, and began
playing a gritty basement club’s open mic night. Neyla added mandolin and piano
to the trio, and the Lumineers’ energetic
Americana sound took form. Pianist Stelth Ulvang and bassist Ben Wahamaki joined
the band as full-time members in 2012. A self-titled debut album was released in
April 2012, eventually peaking at number 2 on the Billboard 200 chart in
January 2013.
The Lumineers returned to Terminal 5 tonight and once again brought front-porch folk to a
cavernous space. To accentuate the down-home feel, the Lumineers’ stage sectioned
off their cello, drums, and piano on diamond-shaped platforms backed by patio
railing, with large chandeliers hovering over the musicians. A show based on one
album can be limiting, so the band added covers and new songs to round out its lively
80-minute performance. Who could have imagined that rustic-sounding, stomp-and-clap
acoustic folk-styled songs could be so much fun? In the roots revival style of
the Avett Brothers and Mumford & Sons, the Lumineers built
its music on old-fashioned instrumentation and simple vocal harmonies. Then frequently
changing instruments, the musicians injected youthful vigor into these heart-swelling
Americana-inflected barn burners. Schultz in particular added passionate, heart-on-the-sleeve
authenticity while stomping and hollering throughout most of the songs. Towards
the end of the show, several of the musicians performed from the audience for a
pair of songs as if it were a campfire-like sing-along. In concert, the
Lumineers did an outstanding job taking traditional-sounding music and making
it new.
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