New York ethno-fusion collective TriBeCaStan performs a unique and eclectic hybrid of folk, jazz and
world music inspired by New York City’s cross-pollinating musical and cultural
communities. Led by multi-instrumentalists John
Kruth, Jeff Greene and Matt Darriau, the ensemble uses acoustic
instruments from all over the world and yet simultaneously draws structure from
American jazz, blues, folk and rock. TriBeCaStan’s fourth album, New Songs from the Old Country, becomes available
on October 1.
TriBeCaStan’s performance tonight at the Rubin Museum was unique in that it was designed
to explore the connections between the band’s music and the Rubin Museum’s collection
of Himalayan art. Each composition was inspired by a piece of art displayed in
the museum, and a photograph of that piece was projected behind the band as the
music played. (Oddly, in the photograph right, the band played danceable world rhythms
to what seemed to be a Betty Boop-type
black and white cartoon of skeletons dancing.) Tonight, TriBeCaStan’s rotating
membership consisted of nine musicians performing on acoustic instruments with
no microphones, effects, sound cables or amplifiers. Kruth directed the virtuosic
bandmembers, allowing the musicians a few moments of improvisation within the
pieces, but maintaining the focus of the compositions. Many of the instruments
were familiar – stand-up bass, accordion, banjo, harmonica, clarinet, trumpet,
trombone, sitar and table, for instance – but many were native to southeastern Asia
and may never be seen again by the people in the audience. Most of the set was
instrumental, but one lyrical composition sounded somewhat like the Beatles’ Indian
raga-favored “Strawberry Fields Forever.” Radically multicultural and
poly-stylistic to the marrow, the evening was refreshingly free from restraints
and expectations.
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