Kate Akhurst
started out as a songwriter in her native Australia, where she received her
first publishing deal at age 16. At 21, she moved to Los Angeles, California, for five years,
then ventured to Stockholm, Sweden, for the first time in October 2011. The
last two days she was there, she met writing/production team Rocket Boy (Hampus Nordgren Hemlin, Oskar
Sikow Engström, and Markus Dextegen).
Together they wrote and recorded “Northern Lights” that night. The synthpop quartet
Kate Boy was born. Kate Boy released
its debut EP, Northern Lights, in
January 2013.
At the Mercury Lounge
tonight, Kate Boy set out to do something unusual. The four musicians dressed
in black sneakers with white soles, black shorts, black baseball caps, and
black jackets with white straps that made them look like they were planning on
parachuting out of an airplane. The club’s usual lighting system was dismissed
for the most part; most of the dim stage lighting was generated from white light
poles installed throughout the performance area and a few floor lights behind
the musicians. Even those of us pressed against the stage hardly had a good
look at the musicians’ faces. We heard and felt the music, however, and were
impressed. Akhurst packed a punch in her Madonna-styled
vocals and the band played layers of throbbing synthesizer and percussion-based
dance music. While a lot of dance club music is based on repetitive loops, Kate
Boy live had many more dimensions of sound going on in its musical panorama. Throughout
the 40-minute set, the four musicians often changed instruments within a song
in order to create a new effect. Kate Boy performed music for both dancing and marveling,
pop music with a very sharp knife-edge.
Visit Kate Boy at www.kateboy.com.
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