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| Hayley Williams of Paramore |
A 13-year-old Hayley
Williams moved in 2002 from her hometown Meridian, Mississippi to Franklin,
Tennessee. Soon she became a vocalist in a funk cover band called the Factory. The teenager secured a major-label
record deal in 2003, but she refused to become the record company's newest teen
pop singer; she insisted on fronting an alternative rock band. Paramore formed in 2004 with a
15-year-old Williams, her former band mate Jeremy
Davis on bass, a local friend Josh
Farro on lead guitar and his 12-year-old brother Zac Farro on drums. Paramore went on to sell millions of records; the
band's fourth and most recent album is 2013's Paramore. The official band lineup now consists of Williams, Davis
and guitarist Taylor York; on tour the
band is supplemented by additional musicians.
Paramore was among the many big name acts performing unadvertised
concerts in the New York/New Jersey area prior to the Super Bowl. The band
followed a DirecTV-sponsored celebrity flag football game on a fabricated sand
pit inside a building on Hudson River Park's Pier 40. The show was free to the
public -- for those who found out about it in time. On the large makeshift
stage this afternoon, Paramore performed a full set, much like its headlining
concert at Madison Square Garden about
10 weeks earlier. While Paramore strives to be a cohesive band and not a
vehicle for its singer, all eyes seemed to be on the orange-haired pixie-ish
Williams throughout the performance. She sang well, but the way she threw
herself intensely into the band's driving rock was the spotlight stealer, as
she danced, jumped, and crunched her body to the rhythms. Williams' youthful
spirit endeared her to her fans, and bringing up a random fan from the audience
to sing with her toward the end of the show seemed to seal the bond. As for the
music, it was a fine hair line between alternative rock, pop punk and emo. Though
the songs were polished enough to be called corporate rock, the able musicians added
fine chops that gave the songs significantly more edge than on the original
radio-ready recordings. Opening with "Fast in My Car" and "That's
What You Get," and ending with "Still into You," Paramore revved
up all of its most popular songs and performed them dynamically. Perhaps
disappointing to the band's earliest fans, Paramore nearly buried its raw punk
origins in favor of an arena-rock sound, but as witnessed today, the sacrifice
has its appeal as well.
Visit Paramore at www.paramore.net.

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