| Jeff Walker |
As a teen-ager, guitarist Bill Steer was immersed in the punk rock and the newly developing death
metal music scenes, trading tapes and following whatever bands visited his
native northwest region of England. He formed a hardcore punk band called Disattack in 1985. Shortly after another
punk rocker, bassist Jeff Walker, joined
the band, Disattack changed its name to Carcass
and became one of the first grindcore bands in England. Carcass then morphed
into a one of England's first melodic death metal bands in the early 1990s, while
maintaining its often morbid lyrics and gruesome album covers. Carcass disbanded
in 1995, its members joining other bands, but reunited in 2007 for touring
purposes. Carcass released its first album of new material in nearly 20 years
with 2013's Surgical Steel. The band
presently is comprised of Walker on vocals and bass, Steer and Ben Ash on guitars and Dan Wilding on drums.
When Carcass disbanded, the death metal scene still was
heavy metal's stepchild. In the intervening years, the genre has increased its
audience, and now the revamped Carcass is performing before larger followings
that in its first incarnation. Carcass is headlining the 2014 Decibel Magazine
Tour, including an appearance tonight at the Best Buy Theater. As the lights dimmed, the dramatic instrumental intro
track from Surgical Steel, "1985,"
played loudly through the house speakers, and Carcass took the stage under
red-on-red lights. Plugged in, the band opened what would become a nearly
two-hour set with "Buried Dreams." Carcass proved that the veteran
band was still a leader in the genres it helped originate. As the musicians' stomach-length
hair flew in every direction, the band built beyond its crunching Black Sabbath-type riffs with growling vocals,
twin guitar leads, speed metal intensity and an occasional hint of nu-metal
breakdown. The chunky guitar-fueled performance was heavy, tight, energetic and
bombastic. Carcass mixed songs from its six studio albums, with many of the newer
songs generally towards the beginning of the set, including "Cadaver Pouch
Conveyor System", "Noncompliance to ASTM F 899-12 Standard" and
"Unfit for Human Consumption." Many of the older songs, including "No
Love Lost", "Reek of Putrefaction," and a medley of "Black
Star" and "Keep on Rotting in the Free World," were comparatively
further back in the 17-song set. The closer was the title track of the band's
best-known album, 1993's "Heartwork."
Complementing the death metal band's reputation for shock
and gore, Carcass' songs were often accompanied by images of autopsies, animal
corpses and gruesome scenes projected onto two back screens. “Genital Grinder,”
for instance, showed a close-up of what seemed to be rotting male genitalia. Contrastingly,
Walker lightheartedly bantered between songs about anything that came to mind. President
Obama was in Manhattan that evening, and Walker wisecracked that the president
was in the theater. At the end of the third song, as the house security was
leading the photographers out of the photo pit, Walker said to the staff below
him, “Photographers get three songs to make us look sexy for publicity but, if
it is alright with you, we want them to stay!” He then went on to suggest that a sweaty Carcass
is just as sexy. Carcass may not be sexy, but for a band that is relatively
unknown outside the extreme metal community, Carcass put on a show worthy of
greater arenas.
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