At age four, Imelda
May sang in church with her older sister. At home she listened to the record
collection of her four elder siblings and by age nine, she was a fan of rockabilly
and blues. She began singing in clubs when she was 16 years old and occasionally
was barred from her own shows for being underage. May later formed her own band
and married her guitarist, Darrel Higham.
She recorded her 2003 debut rockabilly album under her maiden name, Imelda Clabby; the album was -issued under
her married name in 2005. Her fourth album, Tribal,
was released today.
At the Bowery
Ballroom tonight, May was quick to redefine herself as more than
rockabilly. Wearing a super-tight bare-shouldered black and white striped dress
and red high heels, her ponytailed black hair accented with a thicket of blonde
curled high above her forehead, May gave a contemporary spin to yesteryear's
rockers and bluesy torch singers alike. Backed by Higham on guitar, Dave Priseman on guitar, trumpet and
flugelhorn, Al Gare on bass and Steve Rushton on drums, May launched
her set with full-throated sass on "Tribal." Higham's cutting guitar
licks and the rhythm section's steady beat lent rockabilly authenticity. With
the second song, "Wild Woman," the band accelerated the pace, as
May's vocals became even more exuberant. "Big Bad Handsome Man" then
had a Latin lilt. "It's Good to Be Alive" featured a country groove. Later
songs showcased May's lush romantic side with smoky Billie Holiday-styled
passion, especially with "Gypsy in Me" and the first encore, a low
and slow cover of Blondie's "Dreaming." The Irish singer crooned
impressively well through a grab bag of traditional American sounds which she
threaded together with a rich rockabilly swagger.
Visit Imelda May at www.imeldamay.co.uk.
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