As a child in Canada, Sarah
McLachlan studied voice, classical piano and guitar. When she was a 17-year-old
high school student, she fronted a short-lived new wave rock band called The October Game and was offered a
recording contract. McLachlan's parents insisted she finish high school and
complete one year of studies at the Nova Scotia College of Art and Design
before moving to Vancouver and embarking on a new life as a recording artist in
1988. Since then, McLachlan has sold over 40 million albums worldwide, and has
won eight Juno and three Grammy Awards. Her first album of new songs in four
years, Shine On, was released on May
6, 2014.
At the Beacon Theater
tonight, McLachlan performed two sets separated by intermission. While acknowledging
that the songs on her new album were close to her heart, she also performed a
cross section of songs from her career. Backed by a four-piece band, McLachlan opened
with a new song, "Flesh and Blood," but followed quickly with the 1997
Grammy-winning "Building a Mystery." Throughout the evening, she
moved from acoustic guitar to piano to electric guitar, sometimes standing
before the microphone with no instruments, singing soft, emotional ballads in
intimate mezzo-soprano vocal range. On occasion, McLachlan started solo on
piano before being accompanied by her band. The charm of her music was that
there seemed to be no deliberate attempt at commercialism; her vulnerable lyrics
often were built on personal dilemma, the compositions were not structured to
emphasize a catchy chorus, and her vocal range was not capitalized by
spotlights. This was mature music, made for listening.
McLachlan introduced many songs by sharing events in her
life that spawned the lyrics. Twice during the concert, McLachlan randomly fielded
written questions from her audience by drawing them out of a top hat, and then invited
social media contest winners to join her on a couch in a makeshift living room by
the side of the stage. She invited her guests to ask her spontaneous questions
and then posed with them for selfies. The evening was so homey that by the end of her two-and-a-half-hour
concert, it seemed McLachlan had tucked her audience into bed.
Visit Sarah McLachlan at www.sarahmclachlan.org.
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