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| Peter Wolf |
Peter W. Blankfield
grew up in the mid-1950s in the Bronx, New York, to the sounds of his
grandmother's Yiddish theater, his father's classical chamber music, his
mother's jazz, his sister's early rock and roll and his neighborhood's doo-wop
music. As a youth, he frequented the Apollo Theater to see rhythm and blues
singers and shopped for blues records on Times Square. As a young adult, he desired
to study art and relocated to Boston, Massachusetts. There, a gig as a
fast-talking late-night disc jockey playing obscure blues and soul music on a
local radio station led to him fronting a band called the Hallucinations, which backed many touring blues and rock and roll pioneers
who came through Boston. That band split and the renamed Peter Wolf joined the J.
Geils Band. Wolf led the J. Geils Band from obscurity in the late 1960s to
hit machine in the 1980s. Success was finally at hand, but Wolf wanted to
pursue the blues and the band went for the golden promise of pop. After 17 years
without a personnel change, Wolf and the J. Geils Band parted ways. Since then,
Wolf has led the J. Geils Band on several reunion tours, but over the past 30
years also has released seven solo albums, the most recent being 2010's Midnight Souvenirs.
This fall and winter, the J. Geils Band opened an arena
concert tour for Bob Seger & the Silver
Bullet Band, ending January 31. Not one to rest, Peter Wolf & the Midnight Travelers headlined three nights at City Winery a week later. This engagement
was to be a sudden and radical change for Wolf. Backed by a stand-up bassist,
an acoustic guitarist and a multi-instrumentalist, the first curiosity of the
evening was that Wolf resigned himself to a largely acoustic two-hour set. The second
curiosity was that signs throughout the venue indicated that all photography
was prohibited. (The photograph above is from Wolf's performance with the J.
Geils Band at Madison Square Garden
in December 2014.) The third curiosity was that the man who is known for non-stop
pacing on a big stage was restricted to the confines of City Winery's small
stage. Nevertheless, he made good use of a few square feet of space to dance
and drop to his knees as he poured out his passion for his catalogue of songs.
The set was comprised of obscure blues, soul and country songs, as well as songs
from his solo albums and six songs from the J. Geils Band. These latter songs
were given an unusual twist through soft instrumentation; surprisingly, "Love
Stinks" was transformed into a bluegrass song. Overall, Wolf's vocals were
modest at best, but he delivered an outstanding performance as a revivalist of
classic American music.
Visit Peter Wolf at www.peterwolf.com.

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