Jerron "Blind
Boy" Paxton's grandparents moved from Louisiana to California in 1956,
and Paxton, born in 1989, grew up loving the old Cajun and country blues his
grandmother sang. He started formal music training when I was 12, when his
grandmother let him enroll in music school to learn the fiddle. Two years later
he learned to play the banjo. Over time, he added piano, harmonica, accordion,
ukulele, guitar, and the bones to his musical arsenal. While his schoolmates
were listening to hard rock and hip hop, the young Paxton found he was uninterested
in music composed after World War II. As he began losing his sight, he turned increasingly
his attention to playing old time country blues, traditional folk, ragtime, Cajun
music, hokum, French reels, and Appalachian mountain music. Paxton moved from
Los Angeles to upstate New York in 2007 to attend college and soon began
playing gigs in Brooklyn; he currently resides in Queens.
At Lucille's Grill
tonight, 26-year-old Paxton took his audience on a musical time trip to the rural
back porches of the 1920s and 1930s. Performing solo, he switched from guitar
to fiddle and banjo, and also played harmonica and bones. Carrying the torch
for traditional acoustic blues, Paxton mastered multiple blues styles and picks,
shining particularly while finger-picking his acoustic guitar in the Piedmont
tradition, with its ragtime and stride-piano influence. Listeners also could discover
textures of Mississippi delta blues, which similarly originated in the 1920s
and 1930s. Between songs, Paxton was charming, with a gleaming smile and a humorous
twist he gave to captivating stories of American history. Paxton is an
important modern-day minstrel that keeps alive an almost lost art form, and
tonight's performance was equal parts entertainment and education.
Visit Blind Boy Paxton at www.blindboypaxton.com.

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