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| Shana Cleveland |
A native of Kalamazoo, Michigan, Shana Cleveland relocated to Los Angeles, California, where she
developed the intricate finger-picking guitar style she would employ in 2009
with the indie-folk Shana Cleveland
& the Sandcastles. After recording two albums in the Curious Mystery, the vocalist/guitarist
formed the all-woman quartet La Luz in
2012 in Seattle, Washington. Adopting the name La Luz (Spanish for "the
light"), the new group released a four-song EP before the year ended, and
in 2013 issued its first full-length album. La Luz's second album, Weirdo Shrine, was released on August 7,
2015. La Luz presently consists of Cleveland, keyboardist Alice Sandahl, bassist Lena
Simon, and drummer Marian Li-Pino,
with all four sharing vocals.
At the Bowery
Ballroom tonight, La Luz performed rock music that uniquely sourced
girl-group harmonies, surf guitar and garage rhythms. Despite the vintage origins
of these sounds, some 50 years passed before a youthful band to twist the
classic sounds into this indie reinvention. While La Luz's attempt at eloping
the sounds was sometimes fractured, it was consistently intriguing. A listener
may have desired less sugar-sweetened vocals or more guitar reverb, but the
band was finding its way to make the marriage work. Cleveland sometimes
heightened the fuzz on her guitar twangs for a captivating "surf
noir" sound. Sandahl followed with poppy keyboard leads. At times the
fusion was vibrantly spellbinding, at other times it was trance inducing.
Halfway through the set, La Luz added to the lively spirit of the music by
requesting an audience "surf train," similar to a Soul Train dance
lineup but for crowdsurfers. The center lane of the crowd moved more than a dozen
bodies, mostly female, over their heads from the back of the room to the stage.
La Luz stood out as a highly original band.

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