| Simone Simons |
After seven years in Dutch progressive/symphonic metal After Forever, rhythm guitarist Mark Jansen in 2002 formed a similar
band, originally called Sahara Dust.
Both bands were led by a smooth female singer whom he contrasted by adding death-metal growls. Sahara
Dust initially assembled a choir (made up of two men and four women) and a
string orchestra (three violins, two violas, two cellos and an upright bass) to
play along with the core band. Sahara Dust soon became Epica, inspired by Kamelot’s
album of the same name. Epica presently consists of lead vocalist Simone Simons, guitarists Isaac Delahaye and Mark Jansen,
keyboardist Coen Janssen, bassist Rob
van der Loo and drummer Ariƫn van
Weesenbeek. The band's seventh and most recent album is 1994's The Quantum Enigma.
Last year, after launching a North American tour with Eluveitie, Epica cancelled remaining
dates so that Simons could fly back to the Netherlands to tend to a family
emergency. Epica began a 2016 tour tonight with a headlining show at Irving Plaza. Entering to a
pre-recorded orchestral "Originem," the musicians took their
positions and opened with two live songs from the most recent album. While the
males spun their long hair, Simons made sure hers did not get in her face as
she soared into high operatic ranges. When Jansen came forth for his death
growls, Simons retreated and joined in the hair spinning. Simons' melodic
singing matched the band's power metal elements while her retreats signaled the
band to move into more symphonic metal interludes. The songs were complex compositions,
and the multiple crescendos in the orchestration aided the soft and hard
transitions. Halfway through the set, Jansen invited fans to vote between
"Storm the Sorrow" and "The Last Crusade," then played
both. Simons cautioned the stream of crowd surfers early on ("I'm a
mother, so I worry about everybody"), and at the end of the set asked that
they halt so that the fans in the front could enjoy the final song. Epica
performed a 100-minute set that included one to four songs from six of the
band's albums; Epica’s non-metal 2005 album The
Score – An Epic Journey, the soundtrack for a Dutch movie, was not
represented. Epica's performance demonstrated that progressive metal and
melodic, symphonic power metal can breathe harmoniously.
Visit Epica at www.epica.nl.
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