![]() |
Deborah Harry |
Born in Miami, Florida, and raised in Hawthorne, New Jersey,
Deborah Harry moved to New York City
in the late 1960s, where she worked as a secretary, waitress, and Playboy
bunny. She joined her first band, the Wind
in the Willows, in 1968, and then the Stilettos
in 1973, where she would meet future boyfriend Chris Stein. Harry and Stein formed Angel & the Snakes, quickly renamed as Blondie, in 1974. The name derived from comments made by truck
drivers who catcalled "Hey, Blondie" to Harry as they drove past.
Blondie was among the first bands to play the New York punk circuit, subsequently
selling 40 million records worldwide. The band split in 1982, and Harry pursued
a solo recording and acting career while also caring for Stein, who was
diagnosed with pemphigus, a rare autoimmune disease of the skin. The band
re-formed in 1997, and presently consists of vocalist Harry, guitarists Stein
and Tommy Kessler, keyboardist Matt Katz-Bohen, bassist Leigh Foxx, and original drummer Clem Burke. Blondie was inducted into
the Rock and Roll Hall of Fame in 2006. The band's 11th and most recent studio
album, Pollinator, was released on
May 5, 2017.
Blondie started as a punk band, and in its early years ventured
into new wave, pop, disco, reggae, and early rap music, but live the songs were
unified by a ragged garage touch. Upon reassembling in the 1990s, Blondie evolved
into a professional rock sound, which regrettably lacked the rawness of the
original band and made the band sound rather ordinary. At the Beacon Theatre tonight, Blondie turned
virtually all of its catalog songs into hard-driving power rock songs,
propelled largely by the inexhaustible Burke's outstanding percussive energy. Harry
arrived on stage wearing a bee mask and black cape; the 72-year-old vocalist looked
and sounded strong, even though the openers, "One Way or Another" and
"Call Me," showed that limitations were sneaking into vocal range. This
weakness was recompensed by sheer dynamic energy from her and the musicians. The
band rocked so vibrantly that "Heart of Glass" was hardly the disco-infused track it
was in its first lifetime. The surprises included covers of Bob Dylan's "Rainy
Day Women #12 & 35" and an Unkindness' "Fragments," and the
addition of a youth brass band on the encore of "The Tide Is High." This was the best Blondie has sounded in several years.
Visit Blondie at www.blondie.net.
Setlist:
- One Way or Another
- Hanging on the Telephone (The Nerves cover)
- Fun
- Call Me
- My Monster
- Rapture
- Rainy Day Women #12 & 35 (Bob Dylan cover)
- Fragments (an Unkindness cover)
- Too Much
- Long Time
- Atomic
- Heart of Glass
Encore:
- Dreaming
- The Tide Is High (The Paragons cover)
No comments:
Post a Comment