Rosie Flores was
born in San Antonio, Texas, and lived there until age 12, when her family moved
to San Diego, California. She began singing as a child, and her brother taught
her to play rhythm guitar when she was a teenager. She formed her first band,
the bluesy Penelope’s Children,
while still in high school, played the San Diego club circuit with an alt
country band she led called Rosie &
the Screamers in the 1970s, and was in the all-female cow-punk Screamin' Sirens in the 1980s. After
one album, Screamin' Sirens split in 1987, and Flores embarked on a solo career.
Her 12th studio album, Simple Case of the
Blues, will be released on February 23, 2018. Flores currently resides in
Austin, Texas, where the city council honored her by proclaiming a Rosie Flores
Day in 2006 and in 2017.
Rosie Flores is best known as a rockabilly and alt-country
music artist, but her catalog has included honky tonk, jazz, western swing, Tex-Mex,
and rock and roll. Her forthcoming album is a collection of blues originals and
covers, however, so at City Vineyard
tonight her focus was on her interpretation of the blues. Brooklyn native Earl Slick, perhaps best known for his
collaborations with David Bowie and John Lennon, accompanied Flores on stage
playing acoustic and electric guitars. The set was loose, in that Slick seemed
to be improvising through most of the performance and contributed fewer leads
than one might have expected. Flores was a fine guitarist, however, and her picking
and strumming complemented her torchy, heartfelt vocals. The set included only
two country songs, and perhaps these were her most splendid moments. While her
many blues numbers were enjoyable, a decision to showcase her upcoming blues
album meant this was not the occasion for her wider range of music.
Visit Rosie Flores at www.rosieflores.com.
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