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| Jonathan Russell |
Seeking a graduate degree, vocalist/guitarist
Josiah Johnson moved from Southern
California to Seattle, Washington. Navigating Seattle's open mic circuit in
2009, Johnson met vocalist/guitarist
Jonathan
Russell, a recent transplant from Richmond, Virginia. They met keyboardist
Kenny Hensley, who had also moved to
Seattle to pursue musical score-writing, and violinist
Charity Rose Thielen, who had recently returned from a year
studying abroad in Paris, France. Russell drafted drummer
Tyler Williams, who had played in the pop-rock band
Prabir & the Substitutes in
Richmond. Finally, the indie folk band that was coming to be known as the
Head and the Heart recruited bassist
Chris Zasche, who was bartending and
playing in Seattle bands the
Maldives
and
Grand Hallway. According to Johnson,
the name of the band was chosen because "your head is telling you to be
stable and find a good job, [but] you know in your heart that this [the band]
is what you're supposed to do even if it's crazy." In 2011, Seattle's
City Arts magazine named the Head and
the Heart as the city's Best New Band. By 2013, the band's second album started
getting national attention and both the band and its music increasingly found
placement in popular television programs and films. Johnson left the band in
2016 to recover from drug addiction; Russell became the band's focal point and Thielen's husband,
Matt Gervais, replaced Johnson in the lineup. The Head and the
Heart released its fourth studio album,
Living
Mirage, on May 17, 2019.
The folk-rock genre has mushroomed in the past decade, so
the timing is right for a band like the Head and the Heart to find sufficient
popular appeal to headline the second night of ALT92.3's Summer Open at Forest Hills Stadium. The spectrum of
the genre is wide, and tonight the Head and the Heart's hour-long set leaned
more on the pop rock metric. Russell's easy, breezy vocals and acoustic guitar
and Thielen's violin rooted the music in a folk tradition, but then the rest of
the band frequently kicked in to fill the soundscape with a wall of sound.
Bright and bouncy, largely paced at mid-tempo rhythms, the set chugged along
with few highs or lows. The musical arrangements were very clean, and the solos
seemed immaculately calculated and precise, whereby the musicians never saw the
opportunity to stretch and improvise. The music might have been more exciting
if everything was not so tightly and perfectly aligned.
Setlist:
- All We Ever Knew
- Lost in My Mind
- Missed Connection
- Ghosts
- Another Story
- Let's Be Still
- Rhythm & Blues
- Honeybee
- Sounds Like Hallelujah
- Down in the Valley
- Living Mirage
- See You Through My Eyes
- Shake
- Rivers and Roads
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