Teddy Swims is a man of mystery in that, despite his rocketing fame, he intentionally is keeping his private life out of the public eye. For the most part, the 31-year-old singer-songwriter is letting his lyrics do the talking, and his message is that he is a lover, not a fighter. Everything else about him is left to speculation.
Born and raised in Georgia, the man named at birth Jaten Collin Dimsdale forged a career in music by posting videos on social media of himself at his bedroom studio singing popular cover songs. Gaining a substantial online following, he rebranded himself as Teddy Swims and pivoted a hobby into a profession. Signed to a recording contract, he recorded several singles and four EPs. Most recently, he released a debut album, I’ve Tried Everything but Therapy (Part 1), on September 15, 2023.
A week after the album’s release, Swims performed locally at a pizza festival in Brooklyn. A two-month North American tour then brought him as a headliner to his first major New York City stage, Terminal 5, on November 14. He was backed by a five-piece band, Freak Freely; during the concert, he repeatedly referred to the musicians as his best friends.
On stage, Swims was a sight, with countless tattoos across his bald head to his eyebrows, bearded cheeks and red fingernails. He perched white-framed sunglasses on his head. A long raincoat with overly-long sleeves covered most of a colorful shirt and white cuffed trousers. He started the concert wearing thick black socks with no shoes; later he slid white sneakers over his socks. Throughout the evening, he paced back and forth across the wide stage as he crooned and swooned through 20 songs, including eight from his album, earlier viral hits, and covers of Journey’s “Don’t Stop Believin’” and Shania Twain’s “You’re Still the One.”
Swims is reportedly the grandson of a Pentecostal preacher, and that influence seemed to be present. Early in the show, before his voice warmed, he cleverly turned his microphone to the audience at moments when he was not reaching the higher notes. For most of the performance, however, he sang powerfully, like he was leading the music ministry in a church service. Swims’ vocal strengths remained consistently soulful and passionate, and Freak Freely helped highlight the power of Swims’ vocal range with sparkling arrangements that never stole the spotlight.
Between songs, Swims professed love and gratitude for his fans, who responded with cheers to just about anything he said. Introducing “What More Can I Say,” he spoke about the trouble he had when an ex-girlfriend found photographs of another woman on his cell phone; this might have seemed like he was revealing something new, but the episode was clearly defined in the lyrics. He later dedicated “You’re Still the One” to his mother. He dedicated “Amazing” to the fans who attended the concert with their lovers.
Authenticity is a huge part of Swims’ appeal. He seemed to wear his heart of his sleeve, seemingly getting emotional during and between his songs. Swims’ performance was honest, heartfelt and even raw, far more than the average performer. Nevertheless, by not revealing any personal anecdotes beyond the content established in his song lyrics, he invited his fans into his world, yet protectively kept them at arm’s length.
Setlist
911
Don't Stop Believin' (Journey cover)
Til I Change Your Mind
Devil in a Dress
What More Can I Say
Goodbye's Been Good To You
2 Moods
Dose
Evergreen
Lose Control
Amazing
Simple Things
You're Still the One (Shania Twain cover)
Some Things I'll Never know
Last Communion
Suitcase
Face Myself (with Elley Duhé)
All That Really Matters
Encore
The Door
Bed on Fire
***
The Manhattan Beat reports on New York City's live music circuit. All articles are written by Everynight Charley Crespo. All photographs are taken by Everynight Charley Crespo, except when noted otherwise.
For a list of Manhattan venues that are presenting live music regularly, swing the desktop cursor to the right of the The Manhattan Beat home page and click on the pop-up tab "Where to Find Live Music."
For a more complete listing of upcoming performances in the New York City area, visit The Manhattan Beat's November and December calendars.
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