If these days are to become the new
Roaring ‘20s, Idles may become the music industry’s primary catalyst. Neighbors
have pursued court action against Forest Hills Stadium due to the alleged unbecoming
behavior of the attendees coming and going from the 13,000-capacity outdoor venue;
if only the neighbors knew how wild the musicians and the fans were inside the
Idles concert! This was nearly the end of Idles’ North American tour, and the
British band seemed intent on not leaving New York City with a whimper.
At the stadium, Idles played abrasive
music that spit anger and ignited numerous highly aggressive mosh pits. The
innovative rock quartet’s performance started quietly with the brooding drone
of “Idea 01,” the first track on the band’s fifth and most recent studio album,
Tangk. It was the quiet before the storm. Upon the conclusion of the
brief introductory song, vocalist Joe Talbot asked the audience standing on the
stadium floor to divide and create an empty corridor along the middle all the
way back.
“Are you ready to collide?” Talbot
asked, pausing for the audience’s enthusiastic response. “Are you ready to love?”
he segued, puzzlingly. He then cried “Viva Palestina!” and the band tore into fan-favorite
“Colossus” as the two sides of the wall of death collided into each other. Upwards
of a hundred moshing fans sustained the intensity of the brutal impact, even as
guitarist Lee Kiernan stopped headbanging long enough to leap into
the audience and ride atop the crowd while playing his leads.
Idles formed as a punk rock band in 2009
in Bristol, England. Eight years later, the band released its debut album and
began building an international audience. The Love Is the Fing tour
promoted Tangk, which the band released on February 16, 2024. Idles presently
consists of Talbot, guitarists Mark Bowen and Lee Kiernan, bassist Adam
Devonshire, and drummer Jon Beavis.
Idles’ albums are a study in post-punk
creativity, with Talbot’s almost-spoken singing seemingly bringing a lighthouse
to underlying currents of turbulence. Nevertheless, the stage was where the
band became a blazing fireball of force and potency. At Forest Hills Stadium,
Idles crushed a ferocious two-hour set comprised of six new songs plus 18 songs
from earlier albums.
Live, Talbot was a magnet, as he paced the
stage animalistically, crouching at times with his arms up like he was about to
pounce. His riveting, masculine voice was passionate, alternately articulating
angst and rage. The band’s unpolished punch and assertive delivery, provided by
two screaming lead guitars and a bottom-heavy rhythm section, amplified the
potency of the songs. The combination was invigorating to the widely moshing and
crowd-surfing sea of fans.
Talbot also demonstrated that he had heart.
Between songs, he endearingly conveyed to the audience several encouraging messages
of hope and victory over the adversities of life. He invited onto the stage a
young fan named Ash, whom he had met earlier that day, to play drums on “Samaritan.”
Later, Talbot disclosed that at a very dark period in his life, someone gave
him the Walkmen’s Bow + Arrows album and it helped set him straight, and
so he was honored to have the reunited Walkmen open the concert.
Idles’ concert at Forest Hills Stadium closed
another circle as well. The band first performed there in 2022 as the support
act for LCD Soundsystem. Two years later, Idles returned as a headliner. While
the stadium was far from full – the upper bowl was little more than half full,
despite the plentiful distribution of free tickets to contest winners – the
magnitude of the performance’s intensity was an omen that this band will be huge
someday soon.
Setlist
- IDEA 01
- Colossus
- Gift Horse
- Mr. Motivator
- Mother
- Car Crash
- I'm Scum
- Jungle
- 1049 Gotho
- The Wheel
- When the Lights Come On
- Divide and Conquer
- War
- Wizz
- Gratitude
- Benzocaine
- POP POP POP
- Samaritans
- Crawl!
- The Beachland Ballroom
- Never Fight a Man with a Perm
- Dancer
- Danny Nedelko
- All I Want for Christmas Is You (Mariah Carey cover, a capella)
- Rottweiler
***
The Manhattan Beat reports on New
York City's live music circuit. All articles are written by Everynight Charley
Crespo. All photographs are taken by Everynight Charley Crespo, except when
noted otherwise.
For a list of Manhattan venues that are presenting live music
regularly, swing the desktop cursor to the right of the The Manhattan
Beat home page and click on the pop-up tab "Where to Find Live
Music."
For a more complete listing of upcoming performances in the New York City area, visit The Manhattan Beat's October calendar.
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