New York City is the best city
in the world for live music. This city is host to more than 100 venues that
feature live original music on a regular basis. I try to get out every night,
even if it is only to hear a local band at a neighborhood bar. I am Everynight
Charley.
Due to scheduling conflicts or
an inability to secure tickets, I do not get to see every concert I would like
to see. Nevertheless, I do see hundreds of really good performances each year.
In 2024, these were some of my favorite full performances (discounting mini
sets at multiple-act benefit concerts or festivals). There were so many other thrilling concerts
that I also thoroughly enjoyed.
All photographs were taken by Everynight Charley Crespo/The Manhattan Beat.
The Rolling Stones at MetLife
Stadium, May 23 & 26
Time-tested, history’s longest-lasting
rock and roll band simply played the best rock and roll music on earth. All rock music,
past, present and future, makes more sense after seeing the Rolling Stones live.
If you can only see one rock concert in your life, see the Rolling Stones. Read the review here.
Johnny Blues Skies (fka Sturgill
Simpson) at Forest Hills Stadium, October 19
Having not seen Sturgill
Simpson perform in many years, I came to the concert with no particular
expectations, and I was very pleasantly surprised at the greatness of this
performance. Simpson has taken a new name, Johnny Blue Skies, and his outlaw
country roots have taken a broader sound thanks to the band’s extended
high-energy jams. Read the review here.
Billy Joel at Madison Square
Garden, July 25
Billy Joel ended his years-long residency at Madison Square Garden, and he and his super-tight band made it unforgettable. His extensive catalog guaranteed that he would come through with an amazing set of heartfelt music. Axl Rose of Guns N Roses as a special guest on a few songs was a wonderful surprise. Read the review here.
Pearl Jam at Madison Square
Garden, September 3
Thirty-four years after forming, Pearl Jam is now older than many of its fans. Once a cutting-edge grunge band, Pearl Jam is now a classic rock band, yet still leaning on invention. Eddie
Vedder’s deep vocals made every song sound epic. The dynamic band supported
the music beautifully. Read the review here.
Sting at Brooklyn Paramount,
October 9
Sting’s new band paralleled the Police’s lineup, with guitarist Dominic Miller and drummer Chris Maas instead of guitarist Andy Summers and drummer Stewart Copeland. Whether
reworking the old Police songs or playing music from his solo albums, Sting’s
strong vocals gave his songs a passion unlike many contemporary performers. Read the review here.
Elvis Costello & the
Imposters with Charlie Sexton, Radio City Music Hall, July 16
Elvis
Costello was a force of nature in his earlier, angrier days. He has matured
gracefully, so his current concerts feature more crooning than shouting, and
yet he continued to impress. Read the review here.
Slash at the Rooftop at Pier
17, August 4
Slash
is an amazing guitarist, with or without Guns N Roses. He revisited his blues
roots on this tour, and he made it rock hard. Read the review here.
Alice Cooper at PNC Bank
Center, September 7
Alice
Cooper was one of the first shock rockers and he still includes numerous props
in his staging, including the guillotine that chops his head every night. This was
more than simply theatrical rock, however. His three guitarists were a hard
rocker’s dream team.
Orville Peck at Brooklyn
Paramount, October 20
Relatively
new to the country music scene, Orville Peck was an outstanding showman and a
terrific baritone singer. Read the review here.
Khruangbin at Bowery Ballroom,
March 29
Khruangbin
played guitar-led instrumental music that blended numerous musical influences
from across the globe, such as cumbia, dub, psychedelia and surf.
Ministry/Gary Numan at
Terminal 5, March 19
With
Nine-Inch Nails on hiatus again, Ministry may be the leading industrial-rock
band touring heavily these days. Gary Numan opened the concert and proved that
his music was darker and heavier than his biggest commercial hit, “Cars.”
Ministry’s Al Jourgensen and Numan were riveting showmen.
Psychedelic Furs at Brooklyn
Paramount, October 5
Psychedelic
Furs formed during the punk era, but the music evolved over the years to a more
middle-of-the-road sound. Following the recent death of the saxophonist, the
band replaced his mellow riffs with a second guitarist and this time rocked far
more than in recent years.
Jesse Malin at the Beacon
Theatre, December 2
Jesse
Malin stopped performing in 2023 after suffering a paralyzing stroke. Now
stronger, he performed two nights at the Beacon Theatre along with a cast of
his famous friends. Although he was unable to be as animated as in the past, he
sang well and his band delivered the goods.
Idles at Forest Hills Stadium,
September 27
Idles’
arrangements frequently built to an explosive climax. The intensity led to mosh
pits that extended from the stage to the back of the venue. Read the review here.
Motley Crue at Bowery
Ballroom, May 6
Motley
Crue’s farewell tour started in 2015 and may go on forever. The band, which
usually plays large venues, played a secret show at the Bowery Ballroom and
showcased the band’s excellent new guitarist, John 5.
Rainbow Kitten Surprise at
Webster Hall, May 9
Rainbow Kitten Surprise’s recent hiatus offered the various windows to reinvent itself. Ela Melo and the musicians played gentle indie music with interesting arrangements wrapped around engaging
vocals. Read the review here.
King Gizzard & the Lizard
Wizard, Forest Hills Stadium, August 16
King Gizzard & the Lizard Wizard brought a pair of three-hour marathons of psychedelic and hard rock music to Forest Hills Stadium. The band performed a fascinating, feel-good mix of blues, garage and rock sounds. The
nucleus of the performance was a series of
intense jams led by raging guitars. Read the review here.
The Garden at Brooklyn
Paramount, November 9
The
Garden attracts a young audience yet, despite being only two musicians, the band made a lot of thick-sounding experimental rock. The duo’s music was far more adventurous
than what most young rock bands bring to the stage. The large numbers of fans wearing the duo's black and white face make-up only made the concert more fun.
Black Lips at Xanadu,
September 26
Black
Lips’ performance was the epitome of garage rock. No slickness, no polish, just
a solid rock and roll spirit with Americana roots.
Jorma Kaukonen at City Winery
NYC, April 9
Whether solo or in Hot Tuna, Jorma Kaukonen plays acoustic guitar in the vintage Piedmont blues style. This style of finger-picking is vanishing. Fortunately, Kaukonen has been a leader in keeping this American roots music alive for more than 50 years. His performances this year were a treasure.
The Dream Syndicate at the
Knitting Factory at Baker Falls, January 20
The Dream Syndicate, originally active from 1981 to 1989 and reunited since 2012, emphasized the alt in alt-rock. The band has never enjoyed commercial success, but the guitar-led repertoire made for a cutting-edge performance.
***
The Manhattan Beat reports on New
York City's live music circuit. All articles are written by Everynight Charley
Crespo. All photographs are taken by Everynight Charley Crespo, except when
noted otherwise.
For a list of Manhattan venues that are presenting live music
regularly, swing the desktop cursor to the right of the The Manhattan
Beat home page and click on the pop-up tab "Where to Find Live
Music."
For a more complete listing of upcoming performances in the New York City area, visit The Manhattan Beat's January calendar.











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