The origins of a southern California bluegrass band, Nickel Creek (formerly known as The Nickel Creek Band) started with a
meeting of two pre-teen mandolin students, Sean
Watkins and Chris Thile. Sean
recruited his sister, Sara Watkins,
to play fiddle, and Chris' dad, Scott
Thile, played bass. At first, Chris played guitar and Sean played mandolin
but later they decided to switch instruments. Nickel Creek's first performance
was in 1989 at That Pizza Place in
Carlsbad, California. Chris and Sara were eight years old and Sean was 12. After
10 years on the contemporary bluegrass circuit, Nickel Creek's self-titled
third album went platinum in 2000. Now an international success, the young band
members were home-schooled to accommodate their tour schedule, and Scott Thile
was ultimately replaced by Derek Jones.
The fourth album won a 2003 Grammy Award for Best Contemporary Folk Album.
Following a fifth studio album and a compilation album, the band announced an
indefinite hiatus with the conclusion of the 2007 Farewell (For Now) Tour. The
members worked on solo and side projects, but reformed in 2013 to plan a 25th
anniversary celebration for 2014. That became the A Dotted Line album, released on April 1, 2014.
At the Beacon Theater
tonight, Nickel Creek demonstrated why this band stands above most other
bluegrass bands. First of all, the music retained its homespun quaintness,
without any showbiz gloss. Secondly, the band played in a thoroughly
contemporary manner rather than plundering the genre's history in order to
authenticate itself. This was not a return to roots as much as it was a marriage
of bluegrass with folk, pop and even indie rock. Nickel Creek opened the set
with "Rest of My Life," which also opens the new album. The band did
not saturate the audience with new songs, however. By the third song, the band
was playing the title track of its groundbreaking This Side album. The 23-song set was not necessarily a "greatest
hits" package either, as when the band covered Bob Dylan's somewhat obscure love song "Tomorrow Is a Long
Time."
Nickel Creek's chief assets included its ability to make
simple yet uncommon music. For the most part, the entire show was performed on
guitar, bass, mandolin and fiddle (although late in the performance Sara
briefly put aside her violin for a ukulele). The musicians shied away from
incorporating other bluegrass instruments, instead highlighting modest song
structure over versatility. The musical interplay, particularly on several instrumental
compositions, was impeccable, as were the vocal harmonies. It would appear that
working apart during the band's seven-year dormancy has given the unit the
strongest possible comeback.
Nickel Creek performs at the Prospect Park Bandshell in Brooklyn
on July 24. In the meantime, visit Nickel Creek at www.nickelcreek.com.

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