Rodney Crowell
was born in 1950 in Crosby, Texas, to a poor but musical family. One
grandfather was a church choir leader, the other was a bluegrass banjo player, one
grandmother played guitar and his father sang semi-professionally. At age 11, Rodney
starting playing drums in his father's hillbilly band. In his teen years, he
played in garage rock bands in Houston, performing a mix of pop radio hits and country
songs. He began to write songs in college, and after college moved to
Nashville, Tennessee, searching for a career in music. In short time, his songs
began breaking into the country circuit. Emmylou
Harris recorded a song and then invited him to join her band. After three
years with her, he formed a short-lived band with Vince Gill before venturing solo. Crowell's first albums received
little traction, but his songs were recorded by Waylon
Jennings, the Oak Ridge Boys, Johnny Cash, Rosanne Cash, Etta James,
Van Morrison, Jerry Reed, George Strait and Bob
Seger & the Silver Bullet Band. He married Roseanne Cash, produced her
albums, and put his own career on hold in 1981.
Crowell finally had a successful album in 1988, Diamonds & Dirt, which produced five
number one country hits. Crystal Gayle,
Alan Jackson, Keith Urban, Lee Ann Womack,
Wynonna Judd and Tim McGraw then
had country hits with Crowell's songs. Crowell is now a multi-Grammy winner, a
member of the Nashville Songwriters Hall of Fame, a recipient of a Lifetime
Achievement Award for Songwriting from the Americana Music Association, and an
inductee in the Music City Walk of Fame. His Tarpaper Sky album was released on April 15, 2014; the title is an
allusion to the rickety house with a bad roof in which he spent much of his
childhood.
At City Winery
tonight, Crowell did nothing different than he has been doing for the past 40
years or so. He put on his hat, strapped on an acoustic guitar, stepped up to
the microphone and sang original story songs from his heart. Dressed in a plain
button-down shirt and dark pants, he administered a similarly casual simplicity
to his performance. Backed by a three-piece backing band that included guitarist
and collaborator Steuart Smith, who
also backs the Eagles, Crowell mixed
old and new catalogues. The songs were products of a meticulous literacy,
paired with only a subtle musical polish;
Smith offered a clever lead guitar fill here, another twang there, but ultimately
kept everything very basic. Many songs were gently sweet and touching
compositions, while other seemed tailored for a blue-jeaned honky tonk.
Crowell's vocal range and timber were unremarkable except for its standout
trait -- an honest and unpretentious delivery. Older songs like "Stars on
the Water" and “Til I Gain Control Again” revved up the audience, but then
a striking song would paralyze all audience momentum. The most stunning example
was performed solo; on “Wandering Boy,” Crowell's introspective lyrics pondered
on the inner cry of twins he knew from childhood, one of whom contracted HIV.
In the end, what made the concert interesting was Crowell's commitment to
avoiding trends and simply tell his stories.
Visit Rodney Crowell at www.rodneycrowell.com.
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